The Tale of the Unknown

I control the information I share on any media. However, I hate those who makes a string of inaccurate stories about me just to fill the gaps they don't understand. They are not supposed to understand.

Paghihintay.

Magkikita rin tayo. Sa pagitan ng mahinhin at malandi, mahalaga at di mahalaga, mini skirts at make up, matataas na gusali at kapitalistang banyaga, kasabay ng lahat ng obligasyon, at ambisyon na mayroon tayong dalawa. Nangangarap kasi tayo--sobrang taas, na hindi ko alam kung may puwang ba talaga ako para sa iyo. Kung naiisip mo pa ba ako, hindi ko alam. Magkikita rin tayo.

Sa ngayon, mangarap ka muna.

POEM: The Ladder

My eyes are starting to wander,
let my mind grow asunder!
I wear so much shame in my head.
but gods must've love to see me bled
or, I don't know.
maybe its a responsibility they bestowed.
( must I lay myself upon their Pantheons? )
I don't care anymore,
let thy name lose its reputation,
somebody should stop settling the score.
there's nothing really special up the ladder.


(Danica Ann Niegas)

BOOK REVIEW: Gapo by Lualhati Bautista

Mostly, novels have two possible outcomes: the good, and a tragic. The resolution may disappoint us, making us understand the frailty of human—on the other hand, there are stories that positively sheds a light of hope for the readers. In the end, the “absoluteness” of some conclusions are far more predictable than others.

The book Gapo, by Lualhati Baustista is way beyond that. Talking about the love-hate (and rather exploitative) relationship between Filipinos and Americans, it made me see that having no change is worse than a tragic ending at all.

Gapo by Lualhati Bautista talks about the tale of Magda, a prostitute in Olongapo, and Michael, a half-Filipino whose heart is seething with anger for Yankees. After a series of struggle between those them, and the clashes of their ideals, Magda still tragically becomes pregnant of her “boyfriend”, which later reveals already a married man.

This circular story sinks hopelessness deeper that after reading, you must accept that reality is so much complicated that what it looks like. No force on earth cannot change the way of Olongapo. No wannabe hero must dare to solve the problems of a sick society. The Filipino-American relationship roots deeper than the garbage exports and lustful Yankees being thrown in our land—for it is ingrained in our mindset, that terrible and disgusting colonial mentality.

I also like the commentaries in-between: Bautista talks about unfair quality of export products, how we are so accepting of their substandard products, and how Filipinos can almost die for the elusive American dream. There’s also a lot of subplot that makes the story alive, like Modesto, Jun, and William.

Overall, the only round character capable of shifting viewpoints is Magda. At the end of the novel, upon knowing that she’s been pregnant again by a Yankee, she ended seeing Michael’s viewpoints. She finally understands that illusory fairytale that every prostitute wants are just blinders that makes Americans more exploitative, and Filipinos more abused and beaten. 

People and Choices

“Neither of those men realized your worth,

because you failed to value yourself highly enough.

A man does not know a woman’s value.

She is the one who determines her value.

The higher you price yourself,

the more he will realize what you are really worth…”

( Woman at point Zero, Nawal El Saadwi )

------- 0o0o0o0 ------

When people walks up to you, their first impressions of you will stick in them. Some may be satisfied by what they see, others not. Some lunatics might follow you around, know every corners of you and even chase who you are and why do you act as such. It doesn’t stop. The extent of a man’s determination to know your soul is both pitiful, charming, and impressive—all at the same time.

But there will be a time when you can’t hold the game anymore—that you need to put your foot down so the truth will eventually spit out. It’s not that you’re whining, nor demanding; not even in the slightest hint that you are being cruel. It’s just that in relationships, people must know where they stand. Who you are in their lives. Which parts are real and which are lies.

People without labels are only better off in their separate ways. At least, they can play their dangerous games without hurting each other so much. 

The Blame Game (I have read the first chapter of Dale Carnegie's book)

Insane criminals never blamed themselves for anything. They just believed they are just defending their over inflated egos. They use reasoning, fallacious or logical, to justify their anti social acts: like dehumanizing their "enemies" with vindictiveness and insulting remarks.

They will NEVER understand what you feel; in fact, they will justify it even more. It's like talking to a brick wall.

ESSAY: Convincing myself

(Pardon me some few words of unrhymed poetry. This is made as a diary, not a creative assholes used by English majors to intimidate and isolate the general public haha)

Part of me wants to believe that its for the best. I mean hey, I am the first one who told me that I want to love someone who is completely whole, absolute and emotionally secure. As for their case, I know I can never get by to people who can NEVER be satisfied with anything. In the first place, they stole me my intelligence, wit, and personal identity, which can take YEARS to rebuild and recreate--and I must admit, him playing in the dark signifies the dependency of his love. It actually feels safe to live with him, with all that chivalry and sensitivity, but then, is that the price that I must pay for that blissful feeling? A loss of character? A life unworthy to everyone? A running contest living for vindication?

I have fought far too many devils and died a million times in the name of being "worthy". If you will be my another social casualty, then let it be, for the books and ideas and lifestyle I have given to you will always be a part of you. As for my case, I think that is enough; my semi-self in your breathing, pieces of me intact in your choices, my limbs and bones in decision-making, and my heart in every word you say (even with other women).

This is probably the most irrelevant thing that I must say, but your career will take you back to me anyway. In any other way, crossroads will reappear, loopholes will refreshen, but time will only orchestrate the perfect timing of everything. I hope, by then, that your attitude will change, whole altogether, without being overly dependent on one women whom you will circle your world into. God knows that the weight of your world is heavy, TOO HEAVY, for a woman of five mouths to feed, an ideal mind to keep, and a depressing life challenged and always lacking in material wealth. Haven't you realized the stretch of our living? You in a mansion and comfort, while I in a struggling home. I don't even know why you convince yourself that I am a good idea.

God only knows if this must stand against all. Right now, for this matter, with the persons involved circling in this society, with all his friends and enemies, particularly in his state of mind, we both need some peace of mind and thinking lapses for personal bloom.

P.S.,

That simply proves that you don't value yourself, and that you only get validation from other people that can say positive, and most probably lies, things that reflect your worth.

(originally posted on facebook notes, dated March 24, 2016)

POEM: The November Jump

I have already said too much poetry

about you; cries and lies, all your glee;

How am I, in my humblest self,

to call upon your weariness, color your elf.

Ugly and broken, destitute you may appear,

hospital wars, and divorce papers you saw clear

the crib was made of straw

limp and weak you have grown

sour milk you have drawn

shouts you heard, your baby rattles

yet food was in silver platter.

As interesting as they can see;

you're still finding for your great leap.

- Danica Ann Niegas

(first published on facebook notes, dated July 27, 2015)

Lumpiang Hangin

Sa pagkabagot noong isang alas-dos nang hapon

Humiling ang isip ko ng kaunting atensyon

Kaya’t suot and kupas na damit at tsinelas

Kahit hindi ko alam kung saan, naisip kong maglakad.

Minsan hindi sa pagpaplano makahahanap ng solusyon

Hayaan na lang natin ang paa’y mahapo

O makakuha ng ideya sa pagsosolo

Makahanap ng lugar ang modernong bandido

Nakailang kanto pa lamang

Mga mata ko’y naumay agad

Sa halos dalawang dekadang paghakbang

Iisang tanawin pa rin ang madaratnan—

Ang tindahan ni Lola Baneng sa labas ng eskinita;

Sa aming lugar siya ang Panginoong May Lupa

Kahit sa katandaan naaninag pa rin ang ganda

Ngunit sabi ng ilan ay tumanda nang dalaga.

Ang kapilya kung saan ako lumaki

Makita ko agad sa aking pagtawid

Kilala ako nang lahat ng pumupunta dito

Mula bata, hatak-hatak ni nanang tuwing Linggo.

Kumaliwa sa katabing kabahayan

Naglakad kahit pudpod na ang swelas

Dito raw matatagpuan ang tindahan

Nahahanap ang masasarap na lumpia.

Sa pakiramdam ko’y hindi naman ako pagod

Ngunit tila ang dila’y nais na ring magtrabaho

“sige na nga”, utal sa sarili

Hinatak ako ng aking paa sa isang lamesang may tabing

“oh, ikaw na ba yung anak ni Ralf?”

Dalaga ka na ah! Bulalas ng isa.

Anong gusto mong bilhin? Nagugutom ka ba?

Isa pong samalamig, at isang lumpia.

Ilang taon ka na iha? Anong year mo na?

Hindi sila magkamayaw sa kanilang bisita.

Kamukha ko daw si papa, sabi nang lahat.

Lalo na’ng dalawang tindera sa aki’y tuwang-tuwa.

Masarap ang samalamig;

Matamis, maraming sago

Malamig, maraming yelo

Sa ginaw ay parang lumuluha ang lalagyang supot

Pagkagat ko sa lumpia

Ako ba’y iiling o tatawa?

Sabay sa pag nguya ibinaling ang tingin

Ang hindi ko nabasa sa karatula’y “Lumpiang Hangin”.

Para saan pa ang suka kung wala namang toge?

Bakit hindi ko nasulit ang tangan kong bente?

Naisip ko tuloy na lugi ako sa dose

Balat lamang ang aking nabili

Hindi na ako nakinig sa kanilang bali-balita

Sa likot ng isip tinitigan ko ang Lumpia

Bakit nga ba binibenta ang Lumpiang Hangin?

Nakabubusog ba ang balat kong nakain?

Kung nagsasalita lamang ang Lumpiang Hangin

Kakausapin nya ako’t manghihingi

Ngunit wala ako ng kanyang hanap na toge

Na pupunan sa kanyang pagkakakilanlang pagkain

Kung makikipag-usap ito, siya’y tatanungin ko rin:

Anong pakiramdam nang wala kang silbi?

Patuloy kang ibebenta sa ilan

Ngunit alam ng lumpia na sila’y nadadaya

Sa malutong na balat at walang lasang harina

Sa taglay na lutong may mga nabubulag

Pagkatapos ng magandang usapan

Hindi ko nasabing ako’y nadismaya

Salamat na rin sa lumpiang walang laman

Naisip kong ako’y katulad rin pala nya.

Lumakad muli at nagmasid

Bukas ang isip ngunit mga bibig ay pinid

Hindi ko nasabing wala akong napala

Sinalubong ako sa kalsada ng libu-libong ideya.

Pagdating sa bahay naupo sa isang lamesa

Kumuha ng papel, inihayag ang karanasan

Masaya, dahil muli napagbigyan ko

Natalo ang pagkabagot noong isang alas-dos nang hapon.

Wanderlust

Do people sense this cyclic living?

We were raised that for shining, we are born

On and on, from corners of streets, we cling

Understand that human is for running,

Yet in flickers and flashes we all forlorn,

Do people sense this cycling living?

Lords of cosmos considers no weeping

Everyone abides as the gods implore

On and on, from corners of streets, we cling

Earn bruises and bumps and painful screeching

Like those planets that spheres around the core;

Do people sense this cycling living?

Sensing the individual voice calling

Ignore the warnings of sirens and horn

On and on, from corners of streets, we cling

Survival depends on those cunning

As the weak and frail shatters on the floor

Do people sense this cycling living?

On and on, from corners of streets, we cling

The Blurred Vision Disorder

        Ushering him outside the museum, she could almost feel his irritation. His anxiety like his emotions are now her clattered bones, as they both strut against the pale ample marbles beneath the soles of his shoes, her heels. Their footsteps jive with the hushes of people, whispering here and there, over the artworks, arguing and praising over sculptures and paintings, with a  companion or a mere stranger. The couple has always been this silent; and whenever they are not, they’ve been arguing.

            With sweaty palms and cold hands, she attempted to reach for his shoulder, like a child keeping up with her mommy, trying to apologize, while he hastened his steps against the col pavement. Yet, with the repulsiveness of both of their behavior, an amusing smile dashes across her perfect lips; because then, with the last remarks she heard, feigning anger is much harder to restrain.

            Amused and entertained, she tried to keep the private joke to herself—because at least, she knew a secret that finally, cannot fathom his sharp senses.

-------- 0o0o0o0 -------

            The sizzle from the ignited match always revived the same memory.

            James, 36, has been living with stiff ethical values. Before he lived with his family, with a wife and two kids, he lived in a voiceless, sanitized apartment with his solitude, commandeering his television set and cold furnitures. No pet greets him. He had no friend across the neighbor. No exchange of pleasantries. Always busy with his thoughts, he walks like a zombie, with glazed eyes and a mumbling mouth. James dashes himself into the corporate society every day, as his tie dangles around his neck like a noose, strangling him into an exhausting day, making himself a guinea pig in a tiresome treadmill. A taxi has always been waiting at the footsteps of the building, catering him and the rest of the high-salaried slaves of the city.

            He is always aware of his own legacy, his own name. He claims, that the confined spaces of his own workplace is the only thing worthy of his aesthetic, imaginative viewpoints.

            On a tiring Monday of December 2002, while the wind pass upon their puffy cheeks, as he lit a matchstick to puff an air to his cigarette, his wife finally pose a concern she’s itching to ask for months.

“Museum?”

“Yes, museum.”

“BAH! Why do I need to?”

“Nothing. Just trying to make you flesh and blood.”

-------- 0o0o0o0 -------

          He forgot his eyeglasses.

            Stomping around the halls, James entertained no colors and figures around the museum gallery. With a grumpy face, he stalls, stares and walks away with the slightest mumble of discontent. I shouldn’t be here, he thought, while he keeps track of tomorrow’s list of mundane paperworks.

            He regrets forgetting his eyeglasses. He continues to cry the imperfections of the place, condemning and criticizing each artwork, not even dared to glance at the constellation of architectures at the ceiling; thinking, at his discretion, that the whole museum was an apparent misuse of money, space, vacant lots and Boysen inks.

            Finally, with an air of superiority against the hues around him, he stopped at a frame then finally complained to his wife, “Look at this painting! The work doesn’t clearly resemble any imaginative talents! The subject is boring, and meaningless! The focus of the painter is at the wrong spatial perspective, and his subject is wrinkly, boned to death, and had a poor stance!”

           

            An amusing smile dashes across his woman’s perfect lips. Amused and entertained, she tried to keep the private joke to himself. If only he knew, that the last thing he tried to demean, and that he loathe most, considering as the worst work of art, was a huge mirror showing his own reflection.

An Ode to Trash Bin

I always find you beautiful.

The prefect shape of your hollow stomach

Ready to be filled

With stenches you find wonderful

The curves of your mouth

Open to stories of past things

The people turned into waste

Exploit and overuse

Consumed and misused

You were always there

To embrace them

Welcome them

Envelop

Let them find a place

A sanctuary

A shelter

For all the rotten things

Which people had exploit on using.

Now they found your arms

And make it their home.

All of them who stench,

Full of grime,

Out of rhyme,

That is why you are so beautiful.

Worth-beholding.

I envy you, trash bin.

You were always there,

Never waiting for a compliment,

Up against the wall,

Sacrificing your glory

All for the wasted things

Enveloping the ruins

The mud and grime

All for your charitable hands

These garbages, they found safe lands.

I envy you, trash bin.

For I’d rather have your beauty—

Tucked on one corner

Than to have this “gift”,

Nothing but a

DISPLAY.

I wish someday to be like you,

With all your cracks,

Scratches

Stenches

And dents and odor

Because being a home,

A safe haven,

A mother,

Is the only gift

And blessing

And power

I consider.

An Open Letter of a Survivor

Dear Divine Intervention,

        Teach him not to invade other people’s affairs, outburst when things are not going his way, and cage up people’s wishes—through his dominance and influence—due to his selfishness and greediness in fortune and limelight.

        A quarter, or even the tiniest part of his opulence is never my need nor desire; sympathy to his victims is the wood to the fire I’ve been trying to fuel for over a semester. A fire that warns me whenever I had to fight. This time, this same flame I will thrust against him; for I have been challenged by this bitter and frustrated man.

        He’s a man of DESPERATION, and I once pitied him because he always talks about bitterness, not until I was disenchanted by his soft façade, realizing the fact that he’s exploiting his merciful features for the society to sympathize his life.

       

        Always remind yourself that just like everybody else, you are also human. Like you that is trying to copy the rest of who we are, you will, someday, CRUMBLE.

Sincerely, 

The girl you played fire with

High and Low

I don’t expect anything high from low people.

The low, will stay low.

They are born low, and always there

to remind of the highs.

The cheap… are the cheap.

They buy rich things—

Perfumes, champagnes and dresses,

Between those garbages,

I still believe,

That cheap… are the cheap.

They mock the elitists,

And brand the polite society,

But tell me, haters and wannabees—

who mocks the manners, grace,

and humility?

Who?

Who in the right mind,

Will actually devalue integrity,

Hardwork, dignity, and grace,

With fickle friendships,

Worthless facebook scanning,

Endless tweeting,

Porn video watching,

While dressing yourselves

As branded “rich kids”?

YOU KNOW NOTHING

But try to be rich,

Try to be intelligent,

Or try to be ill,

None of which has been true,

Because nobody has ever been tried,

To be happy,

And thoughtful,

Passionate,

Inspiring,

And celebrated

Human.

Robots are what you are—

Remembering the trends and hashtags

Callousness of your fingers to androids

And Apples

Which, by the way,

The sweat of your parent’s sorrows.

How come you never see,

That there’s more to life than

A high school clique?

Garnering likes and shares

(which, by the way,

Achievable and bare)

Whilst in real life

Nobody is fair,

You think this is a free fare,

And the ones that we care

Is just an inch of hair.

Oops I rant too much,

One must remember,

That nobody really wants

To tell someone what to do,

When to do,

Where to do, or

How to do it.

So bid me goodbye,

Cause I have NO RESPECT

For not respecting

What you “thought”

Was RESPECTABLE

To do.